Great Books

One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.

"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice." It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics: A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread. "Holy Mother of God!" Úrsula shouted. The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house." With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber

An affordable reader with 100 classic and contemporary readings.  Alphabetically-organized by author for ease and flexibility.

Hi dee ho! It's off to a picnic we go! One hundred very hungry ants hurry to sample the delights of a picnic, but marching in single file seems too slow for 100 empty tummies. The smallest ant of all suggests they travel in 2 rows of 50, four rows of 25 . . . and the division begins. One Hundred Hungry Ants is not only a spirited and whimsical story, but also serves as an enjoyable visual introduction to math.

One Hundred Demons collects a series of memoiristic strips that appeared in Salon’s popular "Mothers Who Think" section. Here are 20 stories told in Lynda Barry’s distinctive cartoon-narrative style that delve into the funk and sweetness of love, family, adolescence, race and the 'hood, identity — all the forces that made her the "wreck" she is today. Barry distinguishes these stories with her pitch-perfect sense of the way young people talk and think and her ability to casually render childhood’s cruelties in luminous, unsparing detail. From her nattering and intolerant/loving Filipina grandmother to the ex-boyfriend from hell who had lice, One Hundred Demons paints a memorable picture of a gifted girl whose life is intersected by a cast of crazies. Hailed for its shimmering watercolor images and called by Time magazine "a work of art as well as literature," this collection makes an important addition to the genre Barry has sardonically christened "autobiofictionalography."

One of the most influential literary works of our time, One Hundred Years of Solitude is a dazzling and original achievement by the masterful Gabriel García Márquez, winner of the Nobel Prize for Literature. One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.

One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world, and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. It is a rich and brilliant chronicle of life and death, and the tragicomedy of humankind. In the noble, ridiculous, beautiful, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility -- the variety of life, the endlessness of death, the search for peace and truth -- these universal themes dominate the novel. Whether he is describing an affair of passion or the voracity of capitalism and the corruption of government, Gabriel García Márquez always writes with the simplicity, ease, and purity that are the mark of a master. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an accounting of the history of the human race.

"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice." It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics: A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread. "Holy Mother of God!" Úrsula shouted. The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house." With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber

In this ingenious counting book, more than 2,500 items are imaginatively arranged in a dazzling display of detail, color and inventiveness. Kansas State Reading Circle Recommended List. Young Hoosier Picture Book Award Master List. Full-color illustrations.

The New York Times best-selling author of The Bookseller of Kabul paints a stunning and intimate portrait of Baghdad under siege From January until April 2003-for one hundred and one days-Asne Seierstad worked as a reporter in Bagdad for Scandinavian, German, and Dutch media. Through her articles and live television coverage she reported on the events in Iraq before, during, and after the attacks by the American and British forces. But Seierstad was after a story far less obvious than the military invasion. From the moment she arrived in Baghdad Seierstad was determined to understand the modern secrets of an ancient place and to find out how the Iraqi people really live. In A Hundred and One Days, she introduces us to daily life under the constant threat of attack-first from the Iraqi government and later from American bombs. Moving from the deafening silence of life under Hussein to the explosions that destroyed the power supply, the water supply, and security, Seierstad sets out to discover: What happens to people when the dam bursts? What do they choose to say when they can suddenly say what they like? What do they miss most when their world changes overnight? Displaying the novelist's eye and lyrical storytelling that have won her awards around the world, Seierstad here brings to life an unforgettable cast of characters to tell the stories we never see on the evening news. The only woman in the world to cover both the fall of Kabul in 2001 and the bombings of Baghdad in 2003, Asne Seierstad has redefined war reporting with her mesmerizing book.

THE WINNER OF a National Book Award, a Newbery Honor, and countless other awards has written her richest, most spirited book yet, filled with characters that readers will love, and never forget. Jane is 12 years old, and she is ready for adventures, to move beyond the world of her siblings and single mother and their house by the sea, and step into the “know-not what.” And, over the summer, adventures do seem to find Jane, whether it’s a thrilling ride in a hot-air balloon, the appearances of a slew of possible fathers, or a weird new friendship with a preacher and psychic wannabe. Most important, there’s Jane’s discovery of what lies at the heart of all great adventures: that it’s not what happens to you that matters, but what you learn about yourself.From the Hardcover edition.

Opening with a brilliant, reflective essay by Eduardo Galeano, this book presents an entertaining and readable chronology of the last century. Also included is a history of U.S. aggression in Latin America and a list of the CIA's assassination targets. Illustrated with revolutionary posters of the 20th century."It's the adventure of making changes and changing ourselves which makes worthwhile this flicker in the history of the universe that we are, this fleeting warmth between two glaciers." -- Eduardo Galeano--------------"As long as someone controls your history, the truth shall remain just a mystery." -- Ben HarperRadical History is a new series from Ocean Press seeking to restore our collective memory of events, struggles and people erased from conventional (and conservative) histories and media. These mini-anthologies include eyewitness accounts and historic, forgotten or ignored documents as well as new essays, chronologies and further reading suggestions. This series is designed to appeal to a new generation of political activists.