Great Books

NOW A MAJOR MOTION PICTUREIncludes a Reading Group GuidePrecious Jones, an illiterate sixteen-year-old, has up until now been invisible to the father who rapes her and the mother who batters her and to the authorities who dismiss her as just one more of Harlem's casualties. But when Precious, pregnant with a second child by her father, meets a determined and radical teacher, we follow her on a journey of education and enlightenment as she learns not only how to write about her life, but how to make it truly her own for the first time.

"Dear Fan of Count Olaf, If you are looking for a good time, I'm sorry to tell you that you are holding a box of books, a term which here means " three books too many." As you may know, reading is pretty much the boringest thing in the world. You would have a better time watching a motion picture starring a handsome count. My major motion picture, for example, starring me, features a mansion burnt to a crisp, a peg leg made of real wood, and leeches that eat people. True, this " box of books" has all these details, too, but there are so many words in it, and so few pictures of me. It is my solemn duty to command you to step away from the computer at once and rush to your local movie theater to marvel at my groundbreaking performance in "Lemony Snicket's A Series of Unfortunate Events." Books are for ugly people. Of course you may have my autograph." "Count Olaf"

The Chronicles of Narnia: Prince Caspian is now a major motion picture from Walt Disney Pictures and Walden Media. Journeys to the end of the world, fantastic creatures and epic battles between good and evil—the book that has it all is The Lion, The Witch and The Wardrobe, written in 1949 by C. S. Lewis. But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia. For over fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a land where magic meets reality, and the result is a fictional world whose scope has fascinated generations. This edition presents all seven books—unabridged—in one impressive volume.

Ésta es la historia de una niña llamada Fern que quiere mucho a un cerdito llamado Wilbur, y de la amistad que existe entre Wilbur y Carlota—una hermosa araña gris que vive con él en su granero. Con la ayuda de algunos de sus amigos de la granja, Carlota logra salvarle la vida al magnífico cerdo. El mensaje sobre la amistad, la lealtad y la sinceridad que contiene este relato perdura a través del tiempo.

The Chronicles of Narnia adult paperback now has a movie still cover! 'Excellent for Homeschool Use'

Anton Chekhov’s The Duel the escalating animosity between two men with opposed philosophies of life is played out against the backdrop of a seedy resort on the Black Sea coast.Laevsky is a dissipated romantic given to gambling and flirtation; he has run off with another man’s wife, the beautiful but vapid Nadya, and now finds himself tiring of her. The scientist von Koren is contemptuous of Laevsky; as a fanatical devotee of Darwin, von Koren believes the other man to be unworthy of survival and is further enraged by his treatment of Nadya. As the confrontation between the two becomes increasingly heated, it leads to a duel that is as comically inadvertent as it is inevitable. Masterfully translated by the award-winnning Richard Pevear and Larissa Volokhonsky, The Duel is one of the most subtle examples of Chekhov’s narrative art.

NATIONAL BESTSELLERPULITZER PRIZE WINNERNational Book Critic's Circle Award FinalistA New York Times Notable BookOne of the Best Books of the YearThe Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington PostThe searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.From the Trade Paperback edition.

Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including the bestselling No Country for Old Men, and The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham Guest Reviewer: Dennis LehaneDennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans all away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play). Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane The Road is now a major motion picture based on the novel by Cormac McCarthy, starring Academy Award-nominee Viggo Mortensen, Charlize Theron, Robert Duvall, Guy Pearce, and Kodi Smit-McPhee. Enjoy these images from the film, and click the thumbnails to see larger images.

Everyone has something to hide—especially high school juniors Spencer, Aria, Emily, and Hanna. Spencer covets her sister's boyfriend. Aria's fantasizing about her English teacher. Emily's crushing on the new girl at school. And Hanna uses some ugly tricks to stay beautiful. But they've all kept an even bigger secret since their friend Alison vanished. How do I know? Because I know everything about the bad girls they were and the naughty girls they are now. And guess what? I'm telling.

In the exclusive Philadelphia suburb of Rosewood, Alison is the Queen Bee of her elite seventh grade hive. BFs Aria, Hanna, Spencer, and Emily vie for her attention, even as each of them hides a hideous secret only Alison knows. So when Alison goes missing after a slumber party, never to be seen again, each girl is heartbroken, but also a little relieved. Now it is three years later, and though the four girls have grown apart, they are each still hiding something. Artsy Aria is carrying on an affair with one of her teachers, fashionista Hanna shoplifts to accessorize her trendy outfits, blue-blood Spencer is sleeping with her older sister’s boyfriend, while straight-A Emily is trying to ignore her attraction to a new female classmate. When the girls begin receiving threatening text messages and emails that from someone known only as "A," they must confront the fact that against all odds, it appears Alison is back. Could Alison still be alive? And if so, why is she so determined to uncover all their dirty little secrets? Debut author Sara Shepard's shamelessly addictive blend of Desperate Housewives and I Know What You Did Last Summer is absolutely delicious. Her infusion of mystery and murder breathes new life into the tired genre of high society chick lit, and will give fans of Gossip Girl and The A-List something new to dig their French-manicured nails into. A cliff-hanging ending will leave readers craving the second title in the planned four-part series. --Jennifer Hubert