Great Books

Jack Foley and Cundo Rey are road dogs: trusted jailhouse comrades watching each other's back. They're so tight, Cundo's using his own money and his shark lady lawyer to get Foley's sentence reduced from thirty years to three months. And when Jack gets out, the wealthy Cuban criminal wants him to stay in Cundo's multimillion dollar Venice Beach house—right across from the one where Cundo's common-law wife, professional psychic Dawn Navarro, resides. There will certainly be some payback expected, though Jack can't figure out what. Sexy Dawn's intentions are a lot clearer. But Cundo's coming home earlier than anticipated, and Jack smells a double-cross cooking—the kind that could turn a road dog into road kill.

Amazon Best of the Month, May 2009: Be Cool. If Elmore Leonard hadn't already used it for the sequel to Get Shorty, it would have been a natural title for this deliciously breezy follow-up to another Leonard-to-Hollywood hit, Out of Sight. You may best recall Jack Foley, as played by George Clooney, bantering with Jennifer Lopez in the trunk of a jailbreak getaway car, but when Out of Sight ended, Foley was headed back to the clink to finish a 30-year bid. Road Dogs opens with Foley on the van to prison with Cundo Rey, a pint-size Cuban who soon engineers their early release--legally, this time. Jack's happy to be out and enjoying the California hospitality of Cundo and his wife Dawn (both Leonard veterans too, from LaBrava and Riding the Rap). But Dawn is lovely and wily (and maybe a psychic), Cundo is a murderously jealous husband who may well think Jack owes him big-time, and Jack? Well, when you've robbed a hundred-twenty or so banks, is it that easy to go straight? As so often with Leonard, the real fun is less in the action than the talk, especially from Foley, the pleasure-minded, level-headed hood: an ex-con whose biggest con may be that he is exactly who he says he is. --Tom Nissley Questions for Elmore Leonard Q:Where did the inspiration for the title Road Dogs come from? A: Road Dogs was on a list of prison expressions my researcher Gregg Sutter got for me: inmates who watch each other’s back. I liked the sound of the words together. Q: What made you decide to bring back Jack Foley, Cundo Rey, and Dawn Navarro now? What is it about these three characters that stuck with you through the years? A: Foley was played by George Clooney in Out of Sight. I imagined George in the scenes I wrote and it worked. Dawn Navarro was the psychic in Riding the Rap, a supporting character ready for a leading role. Cundo Rey from LaBrava, another favorite of mine, also deserved a bigger role, so I brought him back.. Q: Any chance Foley and the woman he loves, Federal Marshal Karen Sisco, will be back in the near future? A: I’m not sure Foley is up to robbing another bank. But Karen Sisco, the federal marshal in Out of Sight, could show up again; maybe working for her dad, a private investigator. Q: One of the hallmarks of your writing is your gift for the telling detail. When Foley is offering Cundo Rey’s money man, Jimmy, some advice about his skimming, he tells him that Cundo won’t kill him, but he might “break your legs with a José Canseco bat.” That’s one of those small yet wonderfully deft touches that adds color without slowing the pace. How do you do this so well? A: Realism is the key to my style of writing and dialogue is what keeps it moving, always in live scenes. Rather than use my voice, my language, to describe what’s going on, I let the characters tell who they are and what they’re up to by the way they talk. Scenes are written from a character’s point of view, never mine. Q: Many of your characters are working class stiffs and tough, intelligent broads. What draws you to these kind of characters? What do you think accounts for their popularity? A: My women often upstage the guys; they’re natural, their own person, while my cops and criminals talk the way I’ve observed them through research and being on the scene. Q: What’s next for Elmore Leonard? A: Next comes Djibouti, with Dara Barr, a documentary filmmaker with the Somali pirates off the coast of East Africa.

Quintessential Elmore Leonard, Split Images stars Palm Beach playboy Robbie Daniels. He's the kind of guy who gets away with everything -- even murder -- until a vacationing Motown cop, Bryan Hurd, starts asking questions. When this millionaire reptile reveals the psychopath beneath his slippery skin, Hurd finds out this is one helluva way for an out-of-town lawman to spend his vacation.

Elmore Leonard, New York Times bestselling author and "the hippest, funniest national treasure in sight" (Washington Post), brings his trademark wit and inimitable style to this twisting, gripping—and sometimes playful—tale of modern-day piracy Dara Barr, documentary filmmaker, is at the top of her game. She's covered the rape of Bosnian women, neo-Nazi white supremacists, and post-Katrina New Orleans, and has won awards for all three. Now, looking for a bigger challenge, Dara and her right-hand-man, Xavier LeBo, a six-foot-six, seventy-two-year-old African American seafarer, head to Djibouti, on the Horn of Africa, to film modern-day pirates hijacking merchant ships. They learn soon enough that almost no one in the Middle East is who he seems to be. The most successful pirate, driving his Mercedes around Djibouti, appears to be a good guy, but his pal, a cultured Saudi diplomat, has dubious connections. Billy Wynn, a Texas billionaire, plays mysterious roles as the mood strikes him. He's promised his girlfriend, Helene, a nifty fashion model, that he'll marry her if she doesn't become seasick or bored while circling the world on his yacht. And there's Jama Raisuli, a black al Qaeda terrorist from Miami, who's vowed to blow up something big. What Dara and Xavier have to decide, besides the best way to stay alive: Should they shoot the action as a documentary or turn it into a Hollywood feature film?

Before he brilliantly traversed the gritty landscapes of underworld Detroit and Miami, Elmore Leonard wrote breathtaking adventures set in America's nineteenth-century western frontier—elevating a popular genre with his now-trademark twisting plots, rich characterizations, and scalpel-sharp dialogue. No author has ever written more evocatively of the dusty, gutsy heyday of the American West than Elmore Leonard. This complete collection of his thirty-one Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between. From his very first story ever published—"The Trail of the Apache"—through five decades of classic Western tales, The Complete Western Stories of Elmore Leonard demonstrates the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.

The smallest of small-time criminals, Ernest Stickley Jr. figures his luck's about to change when Detroit used-car salesman Frank Ryan catches him trying to boost a ride from Ryan's lot. Frank's got some surefire schemes for getting rich quick—all of them involving guns—and all Stickley has to do is follow "Ryan's Rules" to share the wealth. But sometimes rules need to be bent, maybe even broken, if one is to succeed in the world of crime, especially if the "brains" of the operation knows less than nothing.

The feds want Miami bookmaker Harry Arno to squeal on his wiseguy boss. So they're putting word out on the street that Arno's skimming profits from "Jimmy Cap" Capotorto—which he is, but everybody does it. He was planning to retire to Italy someday anyway, so Harry figures now's a good time to get lost. U.S. Marshal Raylan Givens knows Harry's tricky—the bookie ditched him once in an airport while in the marshal's custody—but not careful. So Raylan's determined to find the fugitive's Italian hideaway before a cold-blooded Sicilian "Zip" does and whacks Arno for fun. After all, it's a "pride thing"...and it might even put Raylan in good stead with Harry's sexy ex-stripper girlfriend Joyce.

In the world of Elmore Leonard novels, cops and criminals get by with a grudging respect for each other's capabilities: Harry had been arrested by Buck Torres a half-dozen times or so; they knew each other pretty well and were friends. Not socially, Harry had never met Buck's wife, but friends in the way they trusted one another and always had time to talk about other things than what they did for a living. Right now, 66-year-old Harry Arno's in trouble. In order to get at his boss, Jimmy Cap, the feds told Jimmy that Harry's skimming off the sports book he runs, the idea being that Harry will testify in exchange for protection from Tommy Bucks (a.k.a. the Zip), Jimmy's enforcer. But Harry's got a few tricks up his sleeve. Then when a straight-shooting U.S. Marshall decides to spend his vacation tracking Harry down, all hell breaks loose. Set in Miami, Florida, and Rapallo, Italy, Pronto is another brilliantly executed combination of suspense and black humor from the master of crime fiction. --Ron Hogan

The last time Florida motel owner George Moran was in the Dominican Republic he was in a uniform and people were shooting at him. Years later he's back looking for a girl he lost - and finding one he'd be better off without. But that doesn't matter to George while he's sleeping with beautiful Mary de Boya - only when he discovers his lover is the wife of a former death squad general in exile with mob connections. So much for the trip down memory lane - now Moran finds himself in a cat's cradle of drug deals, swindles, vengeance and murder.

In the world of Elmore Leonard novels, two ex-soldiers can sit around a hotel swimming pool in Florida and, as if it were perfectly natural, chat about a friendly fire incident during an "interventionist action" in Santo Domingo. His characters have learned the futility of complaining about a life where deadly violence and moral obligations are all too frequently intertwined. In Cat Chaser George Moran is the hotel manager who got shot at back then; now, he's rekindling his intimate acquaintance with the wife of Andres de Boya, a former Dominican military enforcer who currently invests in real estate with a healthy sideline in drugs. A dizzying series of plot twists involving various grifters and strongmen (both hired and freelance) leads to the grimly comic suspense action that Elmore Leonard fans have come to know and love. But as always, it's Leonard's impressive ear for dialogue that raises Cat Chaser above the herd of crime novels. An example: "That's correct," Scully said, "I'm a consultant... I advise people on business matters, act as a go-between, bring people together that want to make deals... things like that. You want to know any more, come by my office, we'll have a coffee sometime. Okay? Right now I'm going to see Mr. Pradi. Where you come in--I'm gonna knock on his door, he don't open it then I might have to kick it in. I mean the business I got with him is that pressing. So you can give me a key and maybe save yourself a door. What do you think?" Well, what do you think? --Ron Hogan

Detroit process server Jack Ryan has a reputation for being the best in the business at finding people who don't want to be found. Now he's looking for a missing stockholder known only as "Unknown Man No. 89." But his missing man isn't "unknown" to everyone: a pretty blonde hates his guts and a very nasty dude named Royal wants him dead in the worst way. Which is very unfortunate for Jack Ryan, who is suddenly caught in the crossfire of a lethal triple-cross and as much a target as his nameless prey.

Elmore Leonard, a literary icon praised by The New York Times Book Review as "the greatest crime writer of our time, perhaps ever," has captured the imagination of millions of readers with his more than three dozen books.In this short fiction collection, Leonard demonstrates the superb characterizations, dead-on dialogue, vivid atmosphere, and driving plots that have made him a household name -- and once again illustrates that the line between the law and the lawbreakers is not as firm as we might think.Federal marshal Karen Sisco, from the bestselling novel Out of Sight, returns in "Karen Makes Out," once again inadvertently mixing pleasure with business. In "Fire in the Hole," Raylan Givens, last seen in Riding the Rap and Pronto, meets up with an old friend, but they're now on different sides of the law. In the title story, "When the Women Come Out to Dance," Mrs. Mahmood gets more than she bargains for when she conspires with her maid to end her unhappy marriage.All nine stories are Elmore Leonard at his vivid, hilarious, and unfailingly human best.

What a treat! The nine stories in this collection--some never before published, others available only in anthologies or magazines-- demonstrate why Elmore Leonard has achieved both bestsellerdom and critical acclaim. Ranging in length from a four-page trifle to two novellas of 50-plus pages, these are gems of sly humor, suspense, and, above all, character. Most are in the contemporary crime-fiction vein that made Leonard famous, but a few are more contemplative set pieces, and there's one fine Old West story (Leonard was a Western writer before he became a crime king). Longtime fans will recognize some familiar faces, including the U.S. marshals Raylan Givens, from 1993's Pronto and 1995's Riding the Rap, and Karen Sisco, from 1996's Out of Sight (played by J. Lo in the movie). But whether familiar or new, the people in these stories lunge off the page and seize you by the lapels. Nobody writes character and dialogue like Leonard. In fact, several tales feature some rural white-trash bad guys who are so utterly plausible that you'll look over your shoulder next time you drive a country road. The short story format suits Leonard's stripped-down style beautifully. While one or two of the slimmer pieces feel a bit disposable, all nine are engaging, and the best are breathtakingly good--the crispest, best- plotted stuff Leonard has published in years. --Nicholas H. Allison

Brendan Early and Dana Moon have tracked renegade Apaches together and gunned down scalp hunters to become Arizona legends. But now they face each other from opposite sides of what newspapers are calling The Rincon Mountain War. Brendan and a gang of mining company gun thugs are dead set on running Dana and "the People of the Mountain" from their land. The characters are unforgettable, the plot packed with action and gunfights from beginning to end.